H2O 2022
Art Exhibition Winners
Below are the biographies and/or artist's statements along with the artist's websites or emails.
Please visit the H2O exhibition page and contact the artists directly for purchase inquiries or to see more of their work.
Congratulations again to all the winners and thank you for sharing your talent with us.
Raymond Enriquez
First Place Winner
Photographing Nature aids in the understanding of my own self-awareness. It eases my mind and soul and momentarily allows me to forget about any stress, anxieties or insecurities in life. When I connect with nature, I feel that I am able to live in the present moment; indulged in the vibrations of the earth, its beauty and its ability to evoke a sense of wonder and imagination. On the quest to express gratitude for nature, my work portrays the tranquil, refreshing and healing powers of the earth, with hopes to encourage preservation, self-awareness, and self-healing.
Elizabeth Kayl
Second Place
Elizabeth Kayl has had her photography included into juried gallery shows in 33 different US states and in 3 international countries in 2020, 2021 and 2022 to date. It wasn’t until the pandemic hit that she began her new love of photography. Elizabeth has recently won two Juror’s Awards, two Best in Show Awards, a First Place Award and a Visitor’s Choice. Her work has been featured in many permanent public art locations, as well. By day, she is employed as the Director of Parks and Recreation for the beautiful art-inspired City of Loveland, Colorado.
Susan Phillips
Third Place
My photography portfolios deal with beauty found in simple places. I search for things overlooked by people rushing by: street abstractions formed by the effects of traffic and erosion; artistry in torn papers and restructured surfaces; graffiti; oxidized rusted surfaces; reflections in puddles, ponds, or store windows; ice patterns. I marvel at transience. I adore the constant flow of change, recognizable only upon infrequent visits to the same spots. I search for the abstract, aesthetic potential- the visual language- inherent in the random papers left to decompose; the seasonal pond changes. Damaged surfaces are frightful to some, but the continual metamorphosis is energizing for me. As my mind studies an array of pasted and repasted graffiti, or a pond or store reflection-fragments of the conscious and subconscious play to choose the final, “elegant”, cohesive composition.